Sean Imboden Virtual Studio
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3. Dyads I
Complete Ear Training
3. Dyads I
Lessons in this course:
Introduction
1. Intervals I
1.1 ascending ≤ minor 3rd
1.2 descending ≤ minor 3rd
1.3 both directions ≤ minor 3rd
1.4 ascending ≤ tritone
1.5 descending ≤ tritone
1.6 both directions ≤ tritone
2. Intervals II
2.1 ascending ≤ major 6th
2.2 descending ≤ major 6th
2.3 both directions ≤ major 6th
2.4 ascending ≤ octave
2.5 descending ≤ octave
2.6 both directions ≤ octave
3. Dyads I
3.1 min 2nd, maj 2nd, min 3rd
3.2 maj 3rd, tt, p4
3.3 min 2nd – TT
3.4 P5, min 6th, maj 6th
3.5 min 7th, maj 7th, P8
3.6 P5 – P8
3.7 min 2nd – P8
4. Triads I
4.1 maj, min
4.2 aug, dim
4.3 maj, min, aug, dim
4.4 maj with inversions
4.5 min with inversions
4.6 sus 2, sus 4
4.7 all triads with inversions
5. 7th Chords I
5.1 major, dominant
5.2 minor, min/maj
5.3 previous 4 types
5.4 dim, half-dim
5.5 dim, dim maj7
5.6 aug flat7, aug maj7
5.7 previous 5 types
5.8 all 9 types
6. Scales I
6.1 ascending major, mixolydian
6.2 descending major, mixolydian
6.3 both directions major, mixolydian
6.4 ascending mixolydian, dorian
6.5 descending mixolydian, dorian
6.6 both directions maj, mix, dor
7. Arpeggios I
7.1 ascending maj, min
7.2 descending maj, min
7.3 ascending aug, dim
7.4 descending aug, dim
7.5 ascending sus2, sus4
7.6 descending sus2, sus4
7.7 all 6 types, both directions
8. Scales II
8.1 ionian, dorian
8.2 phrygian, lydian
8.3 previous 4 types
8.4 mixolydian, aeolian, locrian
8.5 all 7 types
8.6 all 7 types pt. 2
9. Arpeggios II
9.1 ascending major, dominant
9.2 descending major, dominant
9.3 ascending minor, min/maj
9.4 descending minor, min/maj
9.5 ascending dim, half-dim
9.6 descending dim, half-dim
9.7 all 6 types, both directions
Review Modules 1–9
1. Intervals I (≤ TT)
2. Intervals II (≤ P8)
3. Dyads (m2 – P8)
4. Triads I (basic)
5. 7th Chords I (first 9 types)
6. Scales I (basic)
7. Arpeggios I (triads)
8. Scales II (major modes)
9. Arpeggios II (7th chords)
10. Intervals III
10.1 ascen. min9, MAJ9, min10
10.2 descen. min9, MAJ9, min10
10.3 both directions min9, MAJ9, min10
10.4 ascen. MAJ10, P11, #11
10.5 descen. MAJ10, P11, #11
10.6 both directions MAJ10, P11, #11
10.7 both directions min9 – #11
11. Melodies I
11.1 ≤ P5 whole notes
11.2 ≤ P5 half notes
11.3 ≤ P5 half/quarter notes
11.4 ≤ P8 half notes
11.5 ≤ P8 half/quarter notes
11.6 ≤ P8 half/quarter/eighths
11.7 ≤ P8 add rests
12. Dyads II
12.1 min 9, MAJ 9, min 10
12.2 MAJ 10, P11, #11
12.3 min 9 – #11
12.4 P12, min 13, MAJ 13
12.5 min 14, MAJ 14, P15
12.6 P12 – P15
12.7 min 9 – P15
13. Triads II
13.1 maj, min
13.2 maj, aug
13.3 maj, dim
13.4 min, aug
13.5 min, dim
13.6 aug, dim
13.7 maj, min, aug
13.8 min, aug, dim
14. 7th Chords II
14.1 major
14.2 dominant
14.3 minor
14.4 min/maj
14.5 major, dominant
14.6 major, minor
14.7 minor, dominant
14.8 all 4 types